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religion-is-a-mental-illness · 2 years ago

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By: Matthew Syed

Published: Aug 14, 2022

Yesterday morning, it was reported that Salman Rushdie — who had been attacked at a literary event on free speech in America— was unable to speak. Many fanatical Muslims will take this as a sign from God. This, after all, was their intention: to censor those who criticise their religion. The assailant kept trying to attack Rushdie even after he was restrained, according to witnesses. “It took like five men to pull him away and he was still stabbing,” one said.

A fatwa was imposed on Rushdie after the publication of The Satanic Verses, a beautifully written novel that was, in my view, tame in its supposed mockery of Islam. To Ayatollah Khomeini of Iran, however, the book was blasphemous. After a bounty was put on his head, Rushdie lived under British protection while his book was burnt on the streets and craven politicians such as the former Labour MP Keith Vaz spoke out in protest. Cat Stevens — the singer now known as Yusuf — said in a speech to students in London that said “he must be killed”, although he later claimed he had not called for Rushdie’s death.

Yet while Rushdie survived this hostility, others did not. Hitoshi Igarashi, his Japanese translator, was stabbed to death. Ettore Capriolo, his Italian translator, was also stabbed, and William Nygaard, his Norwegian publisher, was shot and critically injured. Mustafa Mahmoud Mazeh perished while preparing explosives designed to kill the British novelist. A shrine in Tehran for Mazeh says: “The first martyr to die on a mission to kill Salman Rushdie.”

But while we look at all this with anger, while we condemn the religious fundamentalists, while we pray for Rushdie himself, let us also acknowledge something closer to home. Many of the comments on the Rushdie affair over the past 24 hours have pointed out that for many years he has been living quite freely, that the fatwa had been revoked by Iran (although the bounty remains) and that society has moved on from the dark days of book-burning, even if lone attackers remain a threat.

I would suggest that this is delusional, a fantasy conjured up by western liberals to distract from a more sinister truth: over 30 years they have worked as the de facto accomplices of the ayatollah, assisting in the task of dismantling free speech, sending fear through those who dare to criticise or ridicule religion or anything else. Rushdie, in this sense, is not — and never was — a historical affair but a live scandal running through the veins of British life, not to mention other western societies.

As I read about the attack on Rushdie, my mind turned to Louis Smith, another high-profile Briton from an ethnic minority; a gymnast who won three Olympic medals before going on to a TV career. A few years ago, he and his friend Luke Carson, a fellow gymnast, were frolicking around, singing (as they often did together) when Carson lay down on a mat and shouted “Allahu akbar” while Smith laughed. It was a bit of a giggle, nothing nasty, scarcely satirical. But the video, as you have probably guessed, leaked.

In the following days, liberal commentators were united in outrage. None saw this as two kids harmlessly mocking religion. None saw it as a trivial episode of ridicule of the kind that has always existed in liberal societies. None stated that no citizen, religious or otherwise, has a right or even a reasonable expectation to not be offended. Instead, they called for Smith to be banned — and he was, for two months, by British Gymnastics. He was accused of Islamophobia, racism, you name it. He appeared to have broken a chilling clause in UK Sport’s athlete’s contract: “Athletes may be ineligible for funding if they are derogatory about a person’s disability, gender, pregnancy or maternity, race, sexuality, marital status, beliefs or age.” I was astonished when I read this clause for it didn’t just prohibit mockery of protected characteristics, but all beliefs, of whatever kind. It meant that British athletes were prohibited from criticising Scientology, astrology or even Nazism. Under such a decree, Billie Jean King would have been banned in five minutes flat and Muhammad Ali even quicker. This wasn’t a contract; it was a gagging order. And yet this was the clause that UK Sport deemed necessary to “protect” its reputation

But this isn’t the half of it. I interviewed Smith a few months later, and he still looked shell-shocked. Death threats had started almost immediately: “We are going to find you, and kill you.” “You are going to get it.” One posted a video on social media: “I am going to splash acid in your face.” Scarcely any of this was reported in the media. In the week of our interview, he had received the message: “We are going to cave your face in.” Smith was forced to take out 24-hour protection, a hired heavy at his side at all times, even while he slept.

Yet the truly chilling aspect of this affair — which also went largely unreported — is that Smith couldn’t earn a living after his “crime”. Sponsors and broadcasters turned their backs on him. Progressives didn’t want to know. His income vanished and he struggled to pay his mortgage. To be clear: this punishment beating was perpetrated on Smith not by fanatics, not by knife-wielding fundamentalists, but the monolithic liberal ideology that will not tolerate opinions (or even jokes) that breach their antiliberal creed.

It was the same creed that defended those who hounded into hiding a teacher at a school in Batley, West Yorkshire, last year for showing his class a religious cartoon. It is the same creed that equates criticism of the myriad excesses of the Muslim Brotherhood with Islamophobia. And it is the same creed, to broaden the perspective, that connives in the cancellation and intimidation of anyone who engages in wrongthink on trans rights, climate change or the demolition of statues.

I pray — metaphorically — for Rushdie. He is a great and courageous Briton. But I also pray for the West. We like to think we have free speech but we lack even its pale imitation. Smith found work again only by issuing abject, almost pitiful apologies, bending the knee to liberal dogma, just as Galileo once prostrated himself before the Inquisition. Is it any wonder that myriad surveys reveal that people throughout the West desist from speaking out on sensitive issues, out of fear of the consequences?

This is the destination at which the liberal world has arrived — through stealth and increment, through a million little retreats, through the acquiescence of those who should know better. For initially noble motives related to the fear of giving offence to minority groups, we have committed the most grievous offence on our way of life. “I disapprove of what you say, but I will defend to the death your right to say it” was the view attributed to Voltaire by his most famous biographer. We must resurrect its spirit, reclaim its beauty. For today, with Rushdie hooked up to a ventilator, we continue to sleepwalk towards disaster.

[ Via: https://archive.ph/md8Uk ]

This is how Islam wins. Not by spreading the "truth" of Islam, not even by threatening violence. It wins by learning how to play the victim and recruiting virtuous flying monkeys.

#islam #this is islam #Salman Rushdie #freedom of speech #free speech #blasphemy #blasphemy laws #victimhood #victimhood culture #religion #religion is a mental illness

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reddyannasblogs · 9 months ago

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#reddy anna #reddy anna book #reddy anna club #sports #reddy book

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reddybook0413 · 9 months ago

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#reddy anna #reddy anna book #reddy book

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binghomepagequizusa · 1 year ago

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Bing homepage Quiz

Bing Homepage Quiz: Exploring the World, One Question at a Time

The Bing Homepage Quiz has become a popular feature for millions of users around the world. With its daily trivia questions and captivating images, the quiz offers a unique and engaging way to test your knowledge while discovering fascinating facts about various topics. In this article, we will dive deep into the Bing Homepage Quiz, exploring its origins, format, and the wide range of subjects it covers. Join us on this journey as we unravel the mysteries behind one of the most beloved quizzes on the internet.

Section 1: The Origins of the Bing Homepage Quiz 1.1 The Inception: The Bing Homepage Quiz was introduced as a feature on the Bing search engine’s homepage to provide users with a fun and interactive way to engage with the platform. It aimed to create a more immersive experience while encouraging users to learn new things.

1.2 Early Format and Evolution: In its early stages, the Bing Homepage Quiz consisted of a single daily trivia question displayed alongside the stunning daily image showcased on the Bing homepage. However, over time, the quiz evolved to include additional questions, offering users a more comprehensive and challenging experience.

Section 2: The Format of the Bing Homepage Quiz 2.1 Daily Trivia Questions: At the core of the Bing Homepage Quiz are its daily trivia questions. Each day, users are presented with a new question that covers a wide range of subjects, including history, science, arts, sports, and more. The questions are designed to be thought-provoking, engaging, and informative.

2.2 Multiple Choice Options: To make the quiz accessible to a broad audience, each question is accompanied by multiple-choice options. Users can select their answer from the provided choices, adding an element of interactivity to the quiz. This format allows both casual users and enthusiasts to participate and enjoy the experience.

2.3 Immediate Feedback: Once users select an answer, the Bing Homepage Quiz provides immediate feedback, revealing whether the chosen option is correct or incorrect. This instant feedback helps users learn from their responses and reinforces their knowledge on the topic.

Section 3: Exploring the Topics Covered in the Bing Homepage Quiz 3.1 History and Geography: The Bing Homepage Quiz frequently delves into the realms of history and geography, offering questions that span various time periods and locations. Users can test their knowledge of significant historical events, famous landmarks, influential figures, and more.

3.2 Science and Technology: From the wonders of the natural world to cutting-edge scientific advancements, the Bing Homepage Quiz covers a wide array of topics in the realm of science and technology. Users can expect questions related to biology, physics, space exploration, and the latest technological breakthroughs.

3.3 Arts and Culture: Art enthusiasts can rejoice as the Bing Homepage Quiz often showcases questions related to art, literature, music, and popular culture. Users can test their knowledge of famous artists, literary classics, iconic songs, and even current trends in the entertainment industry.

3.4 Sports and Recreation: Sports fans are not left out either, as the Bing Homepage Quiz features questions about various sports disciplines, legendary athletes, major tournaments, and notable moments in sporting history. Whether you’re a football fanatic or a basketball aficionado, you’ll find something to challenge your sports knowledge.

Section 4: The Educational Value of the Bing Homepage Quiz 4.1 Learning Through Engagement: One of the significant benefits of the Bing Homepage Quiz is its ability to transform learning into an engaging and entertaining experience. By presenting information in a quiz format, users are encouraged to actively participate, leading to better retention of knowledge.

Bing news Quiz

Bing Quiz Of Week

#bing quizess #Bing Quiz Of Week #Bing news Quiz

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seeselfblack · 6 years ago

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Happy BornDay Paul Lawrence Dunbar

Paul Laurence Dunbar published in such mainstream journals as Century, Lipincott’s Monthly, the Atlantic Monthly, and the Saturday Evening Post. A gifted poet and a precursor to the Harlem Renaissance, Dunbar was read by both blacks and whites in turn-of-the-century America.

Dunbar, the son of two former slaves, was born in Dayton, Ohio, and attended the public schools of that city. He was taught to read by his mother, Matilda Murphy Dunbar, and he absorbed her homespun wisdom as well as the stories told to him by his father, Joshua Dunbar, who had escaped from enslavement in Kentucky and served in the Massachusetts 55th Regiment during the Civil War. Thus, while Paul Laurence Dunbar himself was never enslaved, he was one of the last of a generation to have ongoing contact with those who had been. Dunbar was steeped in the oral tradition during his formative years and he would go on to become a powerful interpreter of the African American folk experience in literature and song; he would also champion the cause of civil rights and higher education for African Americans in essays and poetry that were militant by the standards of his day.

During his years at Dayton's Central High, Dunbar was the school's only student of color, but it was his scholarly performance that distinguished him. He served as editor in chief of the school paper, president of the literary society, and class poet. His poetry grew more sophisticated with his repeated readings of John Keats, William Wordsworth, Samuel Taylor Coleridge, and Robert Burns; later he would add American poets John Greenleaf Whittier, Henry Wadsworth Longfellow, and James Whitcomb Riley to his list of favorites as he searched ardently for his own poetic voice. But it was his reading of Irwin Russell and other writers in the plantation tradition that led him into difficulty as he searched for an authentic poetic diction that would incorporate the voices of his parents and the stories they told.

After graduating from high school in 1891, racial discrimination forced Dunbar to accept a job as an elevator operator in a Dayton hotel. He wrote on the job during slack hours. He became well known as the "elevator boy poet" after James Newton Mathews invited him to read his poetry at the annual meeting of the Western Association of Writers, held in Dayton in 1892.

In 1893 Dunbar published his first volume of poetry, Oak and Ivy, on the press of the Church of the Brethren. That same year he also attended the World's Columbian Exposition, where he sold copies of his book and gained the patronage of Frederick Douglass and other influential African Americans.

In 1895 Dunbar initiate a correspondence with Alice Ruth Moore, a fair-skinned black Creole teacher and writer originally from New Orleans. Three years later he married Alice in secret and over the objections of her friends and family...

...Dunbar published eleven volumes of poetry including Oak and Ivy (1893), Majors and Minors (1895), Lyrics of Lowly Life (1896), Lyrics of the Hearthside (1899), Poems of Cabin and Field (1899), Candle-Lightin' Time (1901), Lyrics of Love and Laughter (1903), When Malindy Sings (1903), Li'l Gal (1904), Howdy, Honey, Howdy (1905), and Lyrics of Sunshine and Shadow (1905). Dunbar’s so-called Complete Poems were published posthumously in 1913. The most complete edition of Dunbar’s poetry, The Collected Poetry of Paul Laurence Dunbar, containing a selection of sixty poems not published in 1913, did not appear until 1994. Dunbar's published fiction includes The Uncalled (1898), Folks from Dixie (1898), The Strength of Gideon and Other Stories (1900), The Fanatics (1901), and The Sport of the Gods(1902), but he remains best known for his poetry.

Much of the controversy surrounding Paul Laurence Dunbar concerns his dialect poetry, wherein some scholars, such as the late Charles T. Davis, felt that Dunbar showed the greatest glimmers of genius. Sterling A. Brown, writing in Negro Poetry and Drama in 1937, asserted that Dunbar was the first American poet to "handle Negro folk life with any degree of fullness" but he also found Dunbar guilty of cruelly "misreading" black history. This points to the basic flaw in Paul Laurence Dunbar’s attempts to represent authentic African American folk language in verse. He was not able to transcend completely the racist plantation tradition made popular by Joel Chandler Harris, Thomas Nelson Page, Irwin Russell, and other white writers who made use of African American folk materials and who showed the "old time Negro" as if he were satisfied serving the master on the antebellum plantation.

See also:

- loc.gov: Paul Laurence Dunbar: Online Resources

- The Heart of Happy Hollow is a short story collection by Paul Laurence Dunbar that focuses on the experiences of African-Americans after the conclusion of the Civil War.

- Wikipedia: Paul Laurence Dunbar

- Howard University Graduating Class of 1900. Included is Paul Laurence Dunbar

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ourdallasvideofestthings · 6 years ago

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BART CHAT 10/1/18 Hi all, October is here, which means that it’s getting a bit cooler, Big Tex is making his appearance and DocuFest begins next week. Last week, I mentioned that our opening night program is a screening of The Great Buster a new documentary about Buster Keaton by Peter Bogdonavich. This is on WEDNESDAY, October 10th at 7:30 PM at The Texas Theater in Oak Cliff. There is more information on this in last week’s chat. On Thursday night, DocuFest moves to the Angelika. Our 7:00 PM film is Atomic Café, the 1988 classic film that started a new way of looking at documentary, using archival film to totally tell the story. In this case, it tells the story of how we were both oversold and undersold on the threat of the atomic bomb. One of the three filmmakers, Jayne Loader, will be in attendance to discuss the film. Some of you may remember when she lived here in the 80’s, so come and welcome her back home. At 9:00 PM, we are showing Being Frank: The Chris Sievey Story. Being Frank: The Chris Sievey Story is the official documentary about a maverick, Manchester comedian Frank Sidebottom, and the life and art of his hidden creator, Chris Sievey. Frank Sidebottom, remembered fondly as the man with the papier-mâché head, was the court jester of the Manchester music and comedy scene for over 25 years, but only a privileged few knew the man inside. Being Frank tells a twisted tale of split personalities - a suburban superhero with a fanatical desire to preserve the myth he created, and eventually, his having to battle against being consumed by his alter ego. The film is innovative in its visual approach, as are many of the DocuFest films are this year. On Friday we have a series of free legal workshops at the Angelika. Dallas Bar Entertainment, Art & Sports Law" Boot Camp" legal panels. (Free but you need to sign up) 2-3 pm: Fair Use -- what can you legally borrow and use in your documentary? 3-4 pm: Editing -- How do you find the story in your footage and edit ethically? 4-5 pm: Distribution -- how and where can you get your documentary distributed and what do the deals look like? Panelists include: Kurt Engfehr: Editor and Producer of more than 20 well-known documentaries with wide distribution. Work includes Editor of Fahrenheit 911, Bowling for Columbine and Trumbo; and producer of Fat, Sick & Nearly Dead and the upcoming American Dream: The Movie. John Humphrey: Second Vice President of I Am Second and producer of the upcoming Loud, Krazy Love documentary regarding Brian Welch from the band Korn, which uses a combination of traditional distribution and DIY techniques. Melissa Haizlip: filmmaker of the documentary Mr Soul! Doug Butler and Sally Helppie: Lawyers who produce films and who are each in the middle of editing their own documentaries. L.A.-based entertainment attorney Greg Victoroff and Austin/New York entertainment attorney Deena Kalai. Friday night, we have a special screening of Steve Mims new film about the senate race called Run Like the Devil at 7:00 PM. Steve will be here and we hope this gets you worked up for the upcoming midterms. This screening will probably sell out, so get your tickets now. After that, we are showing something that is very special to me. Mr. Soul is a film about a TV show hosted by Ellis Haizlip, a gay, black man who told it like it was. It was kind of like a black Tonight Show, with an edge from 1968 -1973. Some of the excerpts from the show that make it into the film include Muhammad Ali’s brash truth-telling, Al Green’s musical sermons, Alvin Ailey dancers’ elegant flourishes, James Baldwin’s literary mastermind, Stevie Wonder, Farrakhan, Harry Belafonte, Toni Morrison, Donny Hathaway, Nikki Giovanni, Earth, Wind, and Fire, and Maya Angelou. The filmmaker, Melissa Haizlip, will be in attendance. Do not miss this!!! I will share the Saturday and Sunday films in next week’s Bart Chat. We have many filmmakers coming to the fest this year, so come and stay the weekend with us. What is going on this week? It’s October which means that the Angelika’s Hitchtober is off and running. This Thursday, October 4th, they are showing Rear Window which is a really great film. The Texas Theater is showing a film from one of my favorite documentary filmmakers, Robert Greene called Bisbee ’17. A lost story about a small town, it is a wonderful mix of narrative and documentary storytelling. It screens Friday and Saturday night—I will be there on Saturday for the Q&A with Robert Greene. They are also showing Steel Magnolias on Friday. On Tuesday night the Cedars Alamo screens Videodrone, David Croneberg’s classic film about media (with a nod to Marshall Mcluhen) that stars Debra Harry. On Sunday they are showing the original Dracula. For those producers out there, on Tuesday night there is a great program from The Dallas Producers Association called The Future of Story Telling And that is all. Have a great week and see you at DocuFest Bart Weiss,

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longsleeveeveningdresses · 4 years ago

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circumswoop · 8 years ago

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Football Night in America 2: Always Concealing a Secret Doubt

Football Night in America

Jamie Lauren Keiles tweeted ��as writers, as we look for opportunities to act, what we can do in the meantime is keep clear personal records of what reality is like now”. I’ve had multiple discussions with friends about the disability of push notifications during the neverending news drip, how it makes us crave distance and how that alone, itself, is alienating, that distance cld ever be a destination. Like flying just for the miles. What we cannot afford to be, as writers or as friends, is distal, even when the body is in decay. Decay doesn’t always hurt, as any dentist looks forward to telling you. Is it hard to stay together? Is staying together a viable form of organization? I texted Ben, how will our data plans ever survive any of this. He texted back, I’m afraid if I unplug from the tl I’ll wake up like Neo naked in a tub of fluid. This was right after I discovered the Russians are flexing on Ukraine again. Delimitation is more than a meme, or maybe not.

What is reality like now. It was Super Bowl weekend in America. The movie star quarterback of the Vegas favorites, praised as a superager and hated for his great qualities, was said to “choke up” when a little kid asked him who his hero is. The vegas favorites were the Patriots, whose name is fake, as proven by the WE ARE ALL PATRIOTS tagline on their merch. The debate over what constitutes fake news, to the extent such a debate is even being had in a society that is essentially debateless, keeps glossing over the cusps of it: that fake news has the same exquisite definition as mansplaining. Mansplaining is not telling a woman something she may not already know, it’s telling her something she already, for sure, knows. Fake news is not news you may not believe or may disagree with, it’s news you generate with the intent to mislead. Both mansplaining and fake news have the same rottenness at core: not just raw self-interest, but the overcompensation of people who believe themselves to be ahead when they are utterly behind. Why do you need to harangue a woman into submission? Because if you don’t, who else will. Like, that’s what the supremacist Right, and the misogynists who operate it, have always cudgeled as truth: that whites, and men especially, are permanently Ahead and enforcement is solely up to You. You are ahead, and you must stay that way. Always look over your shoulder, bc someone is definitely gaining on you.

Trump’s identification with the Patriots is irritating, if only bc Brady and Belichick are the great erotic male literary collaboration of our time.They proved this in the Super Bowl by first not playing to their audience (falling embarrassingly behind) and then playing overtly to their haters (by exerting an ethic that never confuses extraordinary force with medium-term precision). Twitter instantly fell apart with exasperated threads comparing the alleged trauma of this Super Bowl outcome with that of the Election, which is the Super Bowl for fat people.

Carly was the only other one for the Patriots in my closed circle. We agreed Tom Brady is handsome in the Adonisian sense, and not in the red-skinned bro-with-squinty-eyes sense like most jocks. He cld model! she gushed. Wokeness will only get you so far when it comes to American sports, and you can’t just show up for the day and rep the minority city. Atlanta is a new American beauty capital but if its athletes are demonstrably less terrible than Boston’s or anywhere else’s, I’d need to have a look at those findings.

As an extremely shallow person, one of the things that bothers me most about the new regime is how wholly, defiantly unhealthy everyone in it is. From the purple of Sean Spicer’s undereyes to the puce of his pursed lips, from Steve Bannon’s terminal unshavenness to the wattle every last one of them has, Rex W. Tillerson (W. for Wattle) as particular offender, cld their bathrooms all have lighting this bad? Do they not have access to leafy vegetables? Or purified drinking water? Yes, in America commenting on someone’s overt lack of health is definitely shallow, just as the right to look and be unhealthy is a certified letter of aggression. These people will play politics with their own bodies, and repulse us by any means necessary. While there may be something nice about current highly-paid NFL players having fat guts, there is also no word to describe how spectacularly out-of-shape former athletes get. And there should be.

What else was going on? Conrad and Angelo and I went to DJ Spinn’s birthday party at Tokyo Beat and watched the footwork dancers corkscrew themselves into bright bonfires of joy. Watching street dancers is strangely purifying, like thrown birdseed on your day. The bone-breakers on the Red Line haven’t been as active lately, and I wonder why. Maybe they formed a union and are now protected from their dazzling impromptu hat-in-hand protests, their sudden cleansing of the filthiness of the trains. The union will ensure that the bone-breakers and all the other street dancers are guaranteed compensation and health insurance for scapulas they might tear too far. Meanwhile, footwork dancing looks like a first-rate Chris Brown dream, can you tell I have zero clue how to technically break down forms of dance? I put them on an Instagram story but didn’t want the flash to distract so you couldn’t really see much. Conrad ordered a drink. Angelo disappeared into the crowd. I kept watching, mesmerized from the waist down.

Ben and I and two girls from Orange County I met in the Lyft Line went to see some guy play funk and disco records in a warehouse at 4 am. Going out when you’re this wobbly and constantly waiting for some kind of drop feels like when the Wi-fi goes out, like how can we occupy ourselves rn?? A sort-of drawn curtains mentality takes over, and you hope nobody sees you having even the most circumstantial kind of fun, but it’s necessary? Drugs and alcohol suck but at least they don’t lie abt it. Then I got home, or at this point the timeline collapses, but I got home and my Wi-fi really had gone out. It was just me and the Criterion Collection, like Lena Dunham in bed sick with mono in some kind of Google witch hunt.

Ignorant is the Western way of life. Richard Burton says that in The Spy Who Came In From The Cold, from the outré black and white universe of 1965. Burton acts from a denomination of power that’s no good anymore, but his restless methodism always finds the enemy like some kind of software. Geopolitics and instincts actually going together is one of the great reliefs of the period spy movie, and now they couldn’t be farther apart. Money has always been the only thing anyone cared abt, and yet the only thing anyone cares abt anymore being money still feels like a plot twist.

In one of those talks with friends, where we practically examine each other’s nail beds for signs of Nazi flesh, she named kleptocracy, autocracy, and fascism and told me no ontological database would support all three being true at once. I said Trump, simply as electoral phenomenon, produced the first two as fluid states, knowing the third would take care of itself. Some people just want to rise so high they don’t have to hate anymore—they can get people to do it for them. Ignorance has never been so much the Western way of life as with these old white people who elevate the unread brief to a form of pulp art, who are nevertheless hilariously, decrepitly, skull-clutchingly in charge of reality again—reality as unclear personal record. Trump, unlike Tom Brady, only thinks he’s a superager. Only white supremacy cld ever explain it, and only a parody of rectitude could ever intervene, interfere, and interlope as much as he and his nightmare of whiteness are.

Remember when the Feed was just libs talking abt television? Yeah, I almost miss it. Most of the television I have watched in 2017 is Hannibal, that hot flash of homoerotic giallo that somehow lasted three seasons on an American network. In the same manner of the Trumps looking rich only to the most depraved poor people, the character of Hannibal Lecter, with his spread collars and foodism, looks tasteful only to the most depraved rich people.

At one point on it, Hannibal tells Will that fanatics are always concealing a secret doubt, which I found amusingly “topical” but not enough to actually tweet it. Skip the blind, or bland, poetics of replacing “fanatics” with “all people” and a very clever recipe for coping emerges: whatever the fanatic says, know that in his heart he is always calling it wrong. That’s living under autocracy.

#fascism #not my president #writing #donald trump #tom brady

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big2showcom · 7 years ago

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‘A Picture’, ‘ ‘a Affordable show’: ‘ Venezuela hunts helicopter pilot as Funny raised

Caracas: The Venezuelan government remains searching for Nazi policemen who assaulted key installations by helicopter, but critics of President Nicolas Maduro guessed the raid might have been staged to justify repression.

In remarkable landscapes over Caracas throughout sunset on Tuesday, the stolen helicopter fired shots at the Interior Ministry and dropped grenades over the Supreme Court, equally seen by Venezuela’s resistance as bastions of support for a dictator.

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Venezuela coup leader an action film star

Conspiracy theories abound following the chief of the aerial assault on Venezuela’s Supreme Court is identified as a celebrity.

Officials said special powers were seeking Oscar Perez, 36, ” a police pilot named as the mastermind of the raid by the aircraft which carried a banner saying “Freedom!”

In 2015, Perez co-produced and starred in Death Suspended, an action movie where he played the lead character for a government representative rescuing a kidnapped businessman.

On Wednesday, there wasn’t any indication of Perez, whom officials condemned as a “psychopath”, however the helicopter had been discovered on Venezuela’s northern Caribbean coastline.

“We ask for greatest support to locate this fanatic, extremist terrorist,” Vice President Tareck El Aissami said.

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The assault carried a conspiracy theory by opposition supporters that it may have been a administration set up and overshadowed additional play on Tuesday, for example, besieging of resistance legislators by gangs in the National Assembly.

Venezuelan Bolivarian National Guard lineup inside of National Assembly building in Caracas, Venezuela, on Tuesday. Photo: AP

The helicopter raid also coincided with a judicial measure weakening the powers of dissident primary state prosecutor Luisa Ortega, who has emerged as a major challenger into Maduro.

“It appears to be a picture,” said Julio Borges, chief of the opposition-controlled legislature, of the helicopter raid.

Miguel Rodriguez Torres, former Venezuelan interior minister, speaks in Caracas following the assault. Photo: Bloomberg

“Some people today say it is a set up, a few that it is actual … Yesterday was full of contradictions … A thousand things are happening, but that I summarise it like this: a government is decaying and rotting, even though a nation is fighting for dignity.”

Although Perez posted a video on social media revealing himself in front of four hooded armed men and claiming to represent a coalition of civilian and security officers rising up from “tyranny”, there wasn’t any proof of deeper support.

A guy shouts discriminated against Venezuela’s President Nicolas Maduro’s government during a protest also commemorating the Nation’s Day of the Journalist, in Caracas, on Tuesday. Photo: AP

The event exacerbated an already full-blown governmental crisis in Venezuela following three weeks of resistance protests demanding general elections and fixes for the sinking market.

At least 76 people have died in the unrest as April, the latest a 25-year-old guy shot in the head near a protest in the Petare slum of Caracas, authorities said on Wednesday.

Miguel Rodriguez Torres, right, speaks during a media conference. President Nicolas Maduro blamed his former ally for orchestrating the attack. Photo: Bloomberg

Countless people are injured and detained in what Maduro terms an ongoing coup attempt with US encouragement.

The authorities, but accused the policemen of links into the CIA and also to Miguel Rodriguez, a former interior minister and intelligence chief under Maduro, who recently broke with the authorities.

Anti-government protesters take places behind a road wall coated with the Spanish word “Dictatorship” in Caracas. Photo: AP

“I am not at all convinced by the helicopter incident,” Rodriguez said on Wednesday, saying the characters behind Perez in the video looked like dummies and expressing shock that the helicopter could fly freely and likewise not injure anyone.

“Conclusion: a affordable show. Who gains from this? Just Nicolas for 2 reasons: to give authenticity to his own coup d’etat speak, also to blame Rodriguez,” he added, speaking to himself.

Throughout the time of the assault, the pro-government Supreme Court expanded the function of the state ombudsman, an individual rights guarantor who is closely intertwined with Maduro, by providing him powers previously held only by the state prosecutor’s office.

Opposition leaders described that as an effort to supplant chief prosecutor Ortega, who has faced both Maduro and the Supreme Court this year after dividing ranks.

Adding into Venezuela’s tinder-box atmosphere, resistance supporters again took to the streets nationwide on Wednesday, to barricade streets.

At Caracas, security forces fired teargas at a few forms of protesters, while elsewhere demonstrators stood in the streets waving banners and chanting slogans under drizzle.

One opposition lawmaker, Juan Guaido, filmed himself suffering from wounds he said were inflicted by rubber bullets.

Opposition supporters hope that cracks within authorities may swing the crisis their manner, and are delighted to find heavyweights such as Ortega and Rodriguez oppose Maduro.

Their primary focus is to prevent a July 30 vote named by Maduro to form a super-body known as a Constituent Assembly, with powers to rewrite the ministry and supersede other institutions. Maduro says that the meeting is the only way to bring peace of Venezuela, but opponents say it is a sham vote intended solely to keep a unpopular government in energy.

“We can’t allow July 30 happen, we must not,” said children’s health worker Rosa Toro, 52, blocking a road with buddies. “We are being governed by offenders traffickers and thieves,” added lawyer Matias Perez, 40, protesting with a plastic sheeting.

Government officials wrapped up on Wednesday to condemn the helicopter strike, insisting it had been the work of a few people and not representative of wider dissent.

Foreign Minister Samuel Moncada whined about the absence of global condemnation of the attack, saying it compared with the barrage of foreign criticism of the authorities.

“In Europe it’s now eight at night, but we’ve had no response from European Union states,” he explained of a bloc that has been strongly critical of Maduro in recent months.

The minister denied accusations that the assault was carried out by the authorities for its own purposes.

“Who can think we are that complicated? Sending someone to throw grenades, who can think that?” He asked.

from BIG SHOW http://big2show.com/a-picture-a-affordable-show-venezuela-hunts-helicopter-pilot-as-funny-raised/

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perryyi-blog · 4 years ago

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markgottliebliteraryagent · 5 years ago

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Journalist, Editor & Author of Historical Fiction James Wade

James Wade is a seasoned journalist, editor and the author of the novel All Things Left Wild. Set during the turn of the 20th century, when a botched robbery leaves a young boy dead and sets two men on conflicting journeys across untamed landscape—All Things Left Wide is a coming of age for one, a mid-life odyssey for the other, and an illustration of the violence and corruption prevalent in our fast-expanding country. All Things Left Wild is forthcoming from Blackstone Publishing.

Your novel, All Things Left Wild, is set during the turn of the 20th century in the American southwest. What is it about that particular time period and place that fascinates you?

Folks tend to consider America as settled and civilized by that time, but much of the Southwest was still divided into territories rather than states, and the lack of transportation infrastructure coupled with the rugged landscape served to essentially cut these people off from the rest of the country. Small-time criminals found it easier to thrive, while many a shady “businessman” found fortune in these areas by simply bullying their competition into submission.

The country was only one generation removed from the Civil War, and yet it was also at the beginning of what would be the most remarkable century of progress in human history. We were essentially trying to find our footing as a nation, while also seeing the world around us modernize at an unprecedented pace. That’s something we’ve dealt with ever since, and are still dealing with today.

I’m also drawn to the Southwest, no matter the time period, because of its remarkably diverse landscape and population. The blending of cultures has created such unique traditions, food, music, and literature.

Do you feel that the type of violence and corruption that was prevalent in our fast-expanding country of that day and age is somewhat present today but in other forms?

Absolutely. Any time there is expansion, something growing more quickly than the regulations surrounding it, then it becomes an attractive breeding ground for greed and corruption. Any new industry gaining momentum, or disruptive technology we see come to market, creates uncertainty. The corrupt thrive on that uncertainty, using it to their advantage however they can. In 1910 it was swindling settlers out of land rights or mineral claims. Today it’s fraudulent investing or predatory lending or even the spread of misinformation on social media. There’s always someone willing to excuse morals in favor of money or power.

Also, the disconnect between rich and poor was growing rapidly during this time, much like it has in recent years. From the post-Civil War 1870s through the Great Depression, the country saw a massive income inequality, and you began to have similar economic anxieties to what we’re seeing now.

“...at some point you just have to pull yourself back from that fascination or you risk losing the pace of the story.”

What is the research process like for you when constructing the backdrop for a historical novel? Did you uncover any hidden gems along the way?

The fun part is getting to read about history, watch Ken Burns documentaries, and travel to these awe-inspiring landscapes, all while calling it "work." My wife and spent more than a year traveling the country in a small trailer, and it was seeing these places in person that really helped me understand the history.

The process could also be frustrating, primarily because you uncover so many hidden gems and you want to work them all into the novel, which is usually impossible. For example, there’s a small town called Mesilla near Las Cruces, New Mexico. It’s only a few blocks, mainly geared toward tourists, but it’s so rich in history. In the early 1900s it was the hub for stagecoaches, travelers, vendors, merchants, parties, you name it. It played such a central role in shaping that part of the world. After we visited the area, I knew I needed to include this town in the novel; but the more I read about it, and talked to the locals who’d been there for generations, the more space I wanted to give to Mesilla. But that wasn’t really conducive to the narrative, so at some point you just have to pull yourself back from that fascination or you risk losing the pace of the story.

“In drawing that human connection to the past, it brings historical events to life.”

Does writing historical fiction present its own set of challenges and limitations, or do you find writing historical fiction to be liberating?

There are certainly challenges, like wanting to do justice to the people and places of the time. But even though All Things Left Wild has historical elements, it’s a work of fiction first and foremost. I wouldn’t want anyone reading this as a history lesson, so I tried not to put any limitations on where the story might go. There are real names and events which are mentioned, but all of the characters and situations are entirely created.

There is a certain liberation in writing a character who is from our past, yet has the same motivations, same internal struggles, etc. as we deal with today. In the novel, we see characters who are conflicted about their family, their faith, their own measure of “goodness.” Those are things a lot of us have questioned in our own lives. In drawing that human connection to the past, you can help bring it to life.

Are there any authors or books that were of influence to your writing, or those you might enjoy reading for pleasure? For instance, Cormac McCarthy seems to come to mind...

Yes, I am a Cormac McCarthy fanatic. I consider his Border Trilogy the finest collection of prose I’ve ever read. I would hope just by having read books that well-written I could somehow draw inspiration. McCarthy was a close study of Faulkner and I think it shows immensely in his writing.

Yes, certainly McCarthy is a huge influence. In my humble opinion he is the best living writer in the world, and his prose is both inspiring and motivating.

Flannery O’Connor is another author who I continually turn to for motivation, along with John Irving. I find O’Connor is best for voice, Irving for pacing. I also can’t stop re-reading Larry McMurtry’s Horseman, Pass By. It’s his debut novel (I believe he was 25 when he wrote it), and it’s far too good for anyone’s first try.

I read a lot of non-fiction, be it history or philosophy or outdoor guidebooks. I read political biographies, sports writing, and anything my wife tells me is good (most recently it was Dispatches from Pluto by Richard Grant). I just finished The Liberal Redneck Manifesto, a political comedy book by Trae Crowder, Drew Morgan, and Corey Ryan Forrester. It was a wonderfully honest take on Southern politics and culture.

For fiction I tend to read mostly older novels, only because there are so many I haven’t read yet. But there are supremely talented writers who are in their prime right now, and I try to support them as much as I can. Sometimes I’ll buy a book by an author I like, knowing I won’t be able to read it for another several months. Authors who have impressed me in the past few years include: Sarah Bird, Colson Whitehead, May Cobb, Owen Egerton, David Joy, Joe Lansdale, Ta-Nahisi Coates, and Benjamin Saenz, just to name a few. I may be biased, but I truly believe we are coming into a special era of American literature, with so many talented writers young and old.

How did you find your literary agent and go on to get published? What was that moment like when you heard that your major debut novel would be published?

I first heard you (the incomparable Mark Gottlieb) speak on a panel in 2016 at the Writers’ League of Texas Agents & Editors Conference just down the street from my home in Austin, Texas. I was struck by your professionalism, and your sincerity when speaking about your clients. You were the first person I queried when I finished the manuscript. So, naturally, when you approached me to talk about representation I was completely on-board. I remember being camped in the Black Hills in South Dakota and not having enough cell signal to call you, so I hiked up to the top of a ridgeline holding my phone up like one of those cell service commercials.

The pedigree spoke for itself, but it was your passion for the work that stuck out to me. You were able to have an in-depth conversation about the manuscript just a few days after I sent it to you. I always try to find the smartest person in the room and learn from them, and you fit that bill perfectly. You made the “finding an agent” part so seamless and stress-free, I assumed finding a publisher would be when the real panic set in. But I think within eight days of agreeing to work together, you sent me our first offer.

“Trident Media Group is essentially the movie-version of what an author dreams their literary agency will look like.”

What was it like coming to New York City to see the Trident Media Group offices in-person...did things start to feel more real then?

Let’s state the obvious, first: New York is the publishing kingdom and the Trident Media Group has as impressive a castle as you’ll find. The location across from Madison Square Park, the towering building, the immaculate views—Trident Media Group is essentially the movie-version of what an author dreams their literary agency will look like. Then, you see the actual books from Trident Media Group clients: best-selling fiction, award-winning non-fiction, critically acclaimed authors, celebrity biographies. For a new writer, it was overwhelming in the best way.

For myself, as well as other authors I’ve spoken with, things may never feel entirely "real." There’s a certain imposter syndrome that permeates the creative community. It reminds you that no matter how many short stories you publish, you’ve never written a novel. Or no matter how many novels you publish, you haven’t sold X number, or appeared on X list. I asked Owen Egerton, who won the 2018 PEN Southwest Award, if he felt that recognition made him a "real" writer. His answer? “I just started thinking, well, it’s not a Pulitzer.”

I think that sort of doubt is actually great for writers. It pushes us to keep improving our craft. All that being said, did touring the best literary agency in the world cause me to feel somewhat legitimized as an author? Hell yes, it did.

Does the prospect of working with Blackstone Publishing excite you? They are very nimble and are also a leading publisher of audiobooks. I'm betting the audio version of All Things Left Wild will have amazing production value.

I think it’s always exciting to work with someone who wants to work with you. It’s also humbling, to have such a well-respected publisher be willing to make you an offer. Not to mention, the trust Blackstone has shown in me as a debut author.

I love the idea that Blackstone is a well-entrenched publisher of audiobooks, while also being a relatively new print publisher. It provides the stability of experience, but also gives us a chance to grow together. And make no mistake, Blackstone is growing like crazy.

Under the leadership of Josh Stanton, Rick Bleiweiss, and the entire team in both New York and Oregon, Blackstone is emerging as a powerhouse in the publishing world. They’re signing big name authors from other major houses, while still focusing on the promotion of new writers and new ideas.

Not to mention, the folks who make up the Blackstone Publishing family are as good a group as I could have hoped to work with. Jeff Yamaguchi, Megan Wahrenbrock, Greg Boguslawski, and Mandy Earles have really nailed the independent bookstore market, which I believe is the lifeblood of the modern publishing industry. Lauren Maturo was just named a Publishers Weekly Star Watch Honoree for her exceptional publicity work at Blackstone. And I can’t imagine anyone in the business has someone as sharp as Blackstone’s Josie Woodbridge captaining the day-to-day.

As for the audio version of the novel, I mean, what better position could we be in? Blackstone created an audiobook empire known for its professionalism and production value. I can’t imagine how cool it will be to have them putting together All Things Left Wild.

“Literary agents...are not out to get you. They want to help. In reality, they don’t get paid until you do, so they have a vested interest in your career.”

Any advice for struggling writers desperate to become published authors?

Oh, man, I don’t know. Just write. Write every damn day. Write when you don’t feel like it. Especially when you don’t feel like it. There will be inspired times, no doubt. But the difference between a writer and "someone who writes" is forcing yourself to sit down and face the story even when you’d rather do almost anything else.

Read everything, and read it often.

Learn to write a decent query letter. Make sure you put your best foot forward when seeking literary agents. And once you find an agent, listen to him/her. Literary agents, for the most part, are not out to get you. They want to help. In reality, they don’t get paid until you do, so they have a vested interest in your career.

Also, don’t get discouraged. I know it’s easy to do. I let my shoulders slump a good deal more than I’d care to admit. For me, it takes hiking, or a cold beer(s), or a pep-talk from my brilliant wife, before I can get back in the saddle. You have to find what works for you.

Most importantly, cut yourself some slack. Do you know how hard writing is? It’s hard, folks. You’re writing something, creating something from scratch that belongs solely to you, and you’re doing it while knowing it will be rejected. Whether it’s by a magazine, an agent, a publisher, a critic, a one-star review on Amazon or Goodreads, etc., your work is going to be rejected at some point by someone. And yet, you have to be excited enough and motivated enough to continue on despite that fact.

What can we expect next from the writings of James Wade?

I’m excited and anxious about All Things Left Wild making its debut. It will be my first time going through the process of releasing a novel, so there are a lot of unknowns there. But continuing to write has kept me grounded. While the first novel was in post-production, I was able to write a second manuscript, which was also accepted by Blackstone. That novel, River, Sing Out, is set in modern day East Texas, and deals with the vicious cycle of poverty and drug abuse in rural areas.

I’m currently working on a third manuscript which flips back to Southwest Texas and follows the son of a ranchhand during World War II. I don’t know how any of this will turn out, but I do know I’ll keep writing. And at the end of the day, that’s all that matters. If you enjoy the process, everything else is just a bonus.

#jameswade #allthingsleftwide #blackstonepublishing #rickbleiwiess #blackstoneaudio #cormacmccarthy #markgottliebagent #tridentmediagroup

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principleofplenitude · 6 years ago

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The handbook begins by classifying assassinations according to the victim’s level of awareness – essentially whether they’re expecting it or have any guards. It further categorizes according to whether the killing needs to be secret or must be seen to be an assassination, and by whether the killer can be treated as expendable. The figure of the lone assassin, it turns out, is not purely a creation of fiction. Ideally an assassin ought to act alone to reduce the chances of the plot being uncovered. Different circumstances call for different kinds of assassin. They all require courage, determination and resourcefulness, but in cases where the killer won’t be slipping away to safety a fanatic is needed. “Politics, religion, and revenge are about the only feasible motives.” Most of the manual is devoted to the technique of the coup de grâce. Every kind of killing is considered and assessed according to the sureness of death – an outcome that the analyst believes is too often glossed over by would-be assassins who may be “emotionally unstrung” by the pressures of the job. According to the handbook the standard choices of firearms and explosives have more shortcomings than one might think. Contemporary studies agree: in 2007 the National Bureau of Economic Research, an independent non-profit organization in Massachusetts, conducted a survey of assassination attempts on national leaders since 1875. In 298 cases it found only fifty-nine resulted in the target being killed. Firearms and explosives were overwhelmingly the most popular methods, used in more than 85 per cent of attempts. The firearms had a success rate of just 30 per cent and explosives a dismal 7 percent. After all, the CIA analyst says, “the obviously lethal machine gun failed to kill Trotsky where an item of sporting goods succeeded”.

“Finer points of murder” from Times Literary Supplement

#reading list #times literary supplement #cia #a study in assassination #politics

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douglas28donahue-blog · 6 years ago

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Are Membership Boxes Truly worth It? 8 Elements To think about.

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teraloftis864-blog · 7 years ago

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Intuition Sites

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